'The Green Man' is most commonly represented as a face surrounded by leaves, or with vegetation sprouting from the nose, mouth and head. Sometimes the face is composed entirely from leaves and foliage. Green Men are used as decorative architectural features, usually representing fertility and the regenerative cycle of the seasons.

I am interested in reinterpreting ‘The Green Man’ as symbol of the city of Stoke-on-Trent at this point in time; a motif that not only represents a sense of regeneration and renewal but one that could also be used to bring about changes, by highlighting what is effectively public artwork that already exists.

Showing posts with label environment. Show all posts
Showing posts with label environment. Show all posts

Thursday, 29 July 2010

SHOP preparations- Installation

I began moving work into SHOP today in preparation for the start of residency opening on Saturday.

Reflection of shop logo on the floor- this was on Tuesday when it was sunny

The day started off a bit unlucky- the keys I had wouldn’t go in the lock to open up, it was raining and there was a mistake on the proof print of my map.

However, the day soon picked up. SHOP was really busy. I came with a car load of work to unload and there were a few volunteers who had just arrived and numerous other artists and passers by congregating in the space. I noticed someone had begun writing this on the a-board for outside, I think they stopped when they realised the space was very busy with loads of people and stuff everywhere- and In the end probably thought it best not to advertise the space just yet!

However this still didn’t deter people from coming in and having a nosey, for various reasons-one man was after his curtains that had been left upstairs from when he used to live above the Shop, I had a few visits from friends, and met some new people too. Greg Stephens and Kate Barfield- who introduced themselves as ‘Stoke’s Green Man and Woman!’ and had printed off
this article about their eco-home for me to look at. I was so pleased that Greg thought I would find this interesting, as I have been researching and experimenting with sustainable materials and eco-building methods such as the Cob technique for a few years- this article is truly inspiring and I hope I get the chance to visit their home sometime.

Greg and Kate are Musicians and Greg told me about his interest in local Folklore songs and thinks there will be links with the Green Man to be found in the traditional music of the area- This is a fascinating idea and one we will explore further over the next few weeks.

Towards the end of the day a man called Mr. Statham came to the door asking about the GREEN/REGEN piece I had just installed saying he had seen one in Hanley too, (Airspace). I explained that it was the same piece and told him about my residency. He had jumped off the bus to see it after spotting it from the bus window.


GREEN/REGEN Installed in the SHOP window

He really knew his stuff about the Green Man- a bit of a Green Man spotter- he told me about a few that had existed in Hanley, one on an old Health Service Building that was near Iceland in Hanley (which is opposite the bus station I think) he said this was a really small one measuring about 15x 15 cm tile size but he had noticed it and was sad to see it disappear when the building was demolished. There was also a huge living tree green man sculpture in the Potteries Museum and Art Gallery a few years ago. I’ll be doing a bit more research about both of these. I liked Mr. Statham’s comment that Green Man was ‘an amazing familiar thing’ that everyone recognises and notices from time to time. This kind of feedback is exactly what I’m looking to collate during my time in Shop- to really understand what the Green Man means to our city in terms of Regeneration and how it can be used, there certainly seems to be a bit of a sub-culture of green man spotters emerging already!

He also commented that my window piece looked familiar to him- saying that it was on an album cover…he had a little think and then remembered it was ‘Roy Harper- The Green Man’ I was really pleased to hear him say this as I am a massive Roy Harper fan, which led to another long conversation, and indeed this album cover has been in my mind throughout this project too.


Friday, 4 June 2010

Airspace Gallery, Dialogue Box- 'GREEN/REGEN'

GREEN / REGEN
Kate Lynch, 2010

Found lithographs, vinyl on polycarbonate sheets


Window installation, Airspace Gallery, Broad Street, Hanley



‘GREEN’ is an anagram of ‘REGEN’. The circular form of the text allows both of these words to be read and reflects the regenerative cycle of nature and continuity of life. Just as in the natural world, the city is undergoing constant changes involving destruction and renewal; urban regeneration. Regeneration has become a buzz word in the city at this point in time, often abbreviated as ‘regen’.

‘Green’ is also emerging a desirable and fashionable term/ethos within the city, with campaigns for green spaces and environmental improvement, and the rising popularity of allotments and ‘grow your own’.

This organic aesthetic has been diluted into the marketing of many products, with the results sometimes being misleading and false. Concerns about climate change have sparked widespread thinking about sustainability in everyday activity, something that the artist is greatly concerned with. The use of vinyl lettering and plastic, over the artist’s usual choice of natural and sustainable materials, reflects these contradictions. This piece is intended to mimic current shop window displays which take on this ‘green’ aesthetic, providing the public with a familiar, corporate look.


Translucent lithographs and discarded backings in window installation


Therefore the piece raises questions about what is green and abundant in our city. Whilst celebrating positive aspects such as parks and green spaces, it is also about destruction, loss, and what is lacking; the used lithograph backings are lifeless remnants of industry. The anguished face of the ‘Green Man’ emerges from the detritus of the ceramics industry, questioning the sustainability, growth and prosperity of industry and regeneration schemes. The figure of the ‘Green Man’ traditionally represents regeneration of the natural world. Here the artist is reinterpreting this theme to relate to the regeneration of the city, therefore suggesting potential - that it may become abundant and vibrant after the process of urban renewal.

The floral lithographs also remind us of the wild force of nature that takes over derelict land and the habitats that temporarily flourished on nearby wasteland. These overgrown areas provided habitats and flowers for dwindling insects such as bees and butterflies. Now work has commenced on the nearby Tesco site, these areas have been cleared. Images of bees, butterflies and other insects feature in the piece, perhaps as a reminder to plant more beneficial plants in your inner city gardens.